
The Hunter
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Dir.
Daniel Nettheim
Feature Film
2011
In "The Hunter," the dense Tasmanian wilderness comes alive through the intricate soundscape crafted by the talented sound team. Robert Mackenzie, as the re-recording mixer, plays a pivotal role in weaving the film's auditory tapestry, capturing the tension and isolation of the mercenary's journey. The sound design, recognized with a nomination for the Australian Screen Sound Guild Award, immerses the audience in the natural and emotional landscapes, from the rustling leaves to the haunting calls of the elusive Tasmanian tiger. Each sound element, meticulously mixed, enhances the narrative's depth, drawing viewers into the film's gripping and atmospheric world.
Sound Credits
Head of Sound: | Angus Robertson |
Re-recording Mixer: | Robert Mackenzie |
Re-recording Engineer: | Glenn Butler & Sam Hayward |
Sound Designer: | Liam Egan & Sam Petty |
Sound Effects Editor: | Tom Heuzenroeder |
Dialogue Editor: | Tony Murtagh |
Dialog Mixer: | Stephen Webster |
ADR Engineer: | Andy Wright |
Foley Artist: | Les Fiddess |
Foley Mixer: | Martin Oswin |
Foley Engineer: | Martin Oswin & Mitchell Willard |
Boom Operator: | Gerry Nucifora |
Audio Post Producer: | Jenna Lange |
Dolby Consultant: | Bruce Emery |
Sound: | David Lee |
Additional FX Recording: | Mran-Maree Laing & Sam Petty |
Sound Attachment: | Peter Climpson |