
Bait
No items found.
Dir.
Kimble Rendall
Feature Film
2012
In "Bait," the soundscape immerses viewers in a tense, aquatic nightmare, where the roar of a tsunami and the menacing silence of a submerged supermarket create a gripping atmosphere. Robert Mackenzie, as the Supervising Sound Designer and Re-recording Mixer, crafts an auditory experience that heightens the suspense and terror of a great white shark lurking in the flooded aisles. The intricate layering of sound elements, from the creaking of submerged shelves to the visceral splashes of water, draws audiences into the survivors' desperate struggle. Mackenzie's work ensures that every sound detail amplifies the film's tension and emotional impact.
Sound Credits
Sound Designer: | Steve Burgess, Robert Mackenzie |
Sound Effects Editor: | Steve Burgess, Peter Climpson |
Foley Artist: | Adam Connelly, Mario Vaccaro |
ADR Mixer: | Matt Dawson |
Sound Supervisor: | Bruce Emery |
Sound Assistant: | Belle Galpin, Jesse Rigby |
Sound Editor: | Rennie Gomes |
Loop Group Editor: | Leah Katz |
Re-recording Mixer: | Robert Mackenzie |
Supervising Sound Designer: | Robert Mackenzie |
Dialogue Editor: | Tony Murtagh |
ADR Editor: | Liesl Pieterse |
ADR Recordist: | Liesl Pieterse |
Boom Operator: | Aaron Price |
Sound Technician: | Gerard Leong, Edward Tan |
Sound Engineer: | Kelvin Singh |
Assistant Sound Engineer: | Wee Zheo Tay, Edmond Wee |
Foley Editor: | Brooke Trezise |
Sound Recordist: | Craig Walmsley |
Foley Recordist: | Andy Wright |