
Berlin Syndrome
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Dir.
Cate Shortland
Feature Film
2017
In "Berlin Syndrome," the soundscape becomes a character of its own, weaving tension and unease into every scene. Robert Mackenzie, alongside Luke Mynott, crafts an immersive auditory experience that captures the claustrophobia and suspense of Clare's entrapment. The film's sound design, recognized with awards from the Australian Screen Sound Guild for Best Achievement in Sound for Film Sound Recording and Mixing, intricately layers ambient city noises with the eerie silence of isolation. Each creak and whisper is meticulously placed, drawing the audience deeper into Clare's harrowing ordeal, making the sound an integral part of the storytelling.
Sound Credits
Head of Sound: | William Ward |
Sound Designer: | Robert Mackenzie, & Luke Mynott |
Re-recording Mixer: | Phil Heywood |
Re-recording Engineer: | Sam Gain-Emery, & Glenn Humphries |
Supervising ADR and Dialog Editor: | Mark Franken |
Dialogue Editor: | Leah Katz |
Sound Editor: | Jasmine Guffond |
ADR Mixer: | Kyle D. Krajewski |
ADR Recordist: | Toby Craig |
Foley Artist: | John Simpson |
Foley Recordist: | Lisa Simpson |
Production Sound Mixer: | Melbourne Unit: Dane Cody |
Sound Recordist: | Steffen Graubaum, & Gregor Mazurczuk |
Field Sound Effects Recordist / FX Recording: | German Unit: Tom Herdman |
Boom Operator: | Melbourne Unit: Auryn Lacy |
First Boom Operator: | German Unit: Manuel Neie |
Second Boom Operator: | German Unit: Felix Kaufmann |